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Post Show Thoughts: The C.I.A. at the Locker Room and a Conversation with Denée Segall

“If I can’t dance, I don’t want to be part of your revolution” – Emma Goldman

The C.I.A. (Featuring Emmett Kelly and Ty & Denee Segall) unleashed their self-titled debut upon the pleasure seekers of the world. A tight, ten song album full of furious feet shuffling rhythms and dance-punk anger. An album for those who still like to rip it up on the dance floor ala Nancy Sinatra while wearing their Docs. Of course, along with the album’s release, a new set of tour dates also came for us to partake in that sonic ritual that is a live show. In all the anticipation foot stomping about to ensue (perhaps the rain gods knew our dances were coming) we braved slick wet roads and maneuvered our way through California traffic to catch their record release show.

Listen to the full album: here.

Our destination for the night … The Locker Room, a small venue attached to the Garden Amphitheater, off the main drag of town in Garden Grove. The venue is a revelation in the spirit of DIY. Its growing audience and shows are a wonderful place for bands to hone in on their craft and a true testament to letting kids participate in what’s actually cool. Local bands and big acts alike are carving their tunes out to the mostly all ages crowds (which is always appreciated in a local venue) as music is meant for everyone. Onstage is a backdrop of lockers that remind us of our days spent in high school. This time something better than P.E. occurs in this locker room (Although the mosh pits do at times get physical everyone is on the same team here.)

Photos by Vinyl Villains and anrea santos |  View full gallery: HERE
In between two high energy sets, DJ Al Lover kept the crowd Shazaming tunes in between the turnovers. Spinning mad men soul, hip-hop and punk jams in a flurry before the main event. It’s a true testament to this mans musical prowess that he adapts from show to show as main the DJ of Desert Daze and Levitation Fest. He’s got a repertoire of music that’ll make many avid collectors jealous.
 
 
Then came The C.I.A. The collaborative project between Emmett Kelly, Ty Segall and his wife Denee Segall. This band is not, however, a Ty Segall led vehicle. He is a background player – so to speak. This band is Denee’s through and through. As the singer and lyricist, it is her words that convey to the crowd the sense of anger and punk ethos that brings The C.I.A. into new exciting musical explorations for these musicians. Their “drummer” R.E. Carlos is a time keeping beast of a rhythm machine (actual drum machine.) But this punk dance outfit is unique in many ways due to Mr. Carlos – as Ty hits the switches between Tango and Bolero rhythms not typically used in dance-punk bands. They also employ a double bass attack (bass guitar that is) to create their songs. Distorted and phaser doused noisy bass. Meanwhile, Denee, also former bassist for the band Vial, fronts the mayhem with a calm and collected sense of assuredness much like the eye of a storm. She is our guide through it all … so we decided to catch up with her after the show and gain some inside perspective about the band and its inner workings. Without further ado here is our interview with Denee Segall of The C.I.A.
Photos by Vinyl Villains and anrea santos | View full gallery: HERE

A Conversation with
Denée Segall

Vinyl Villains: So how did The C.I.A. start as a band?

Denée Segall: Well Ty and I had talked about starting up either a punk or kind of like a dance-punk project for years and years. We wanted two bassists and it just came from that.


VV: And where did the drum machine idea came from?
DS: I think we were just experimenting and we really liked the sound of it.
VV: Were there any specific bands that you really liked and wanted to emulate?
DS: No, not really. I mean the first practice we didn’t like talk about what it was going to be really. We were just jamming and together Emmet and Ty are able to right riffs so easily. At our first practice, I think they wrote like three songs and it was really smooth and natural. There was really no discussion, it just became what it is naturally.
VV: As far as writing with two bass players (sans guitars) how does that affect the melodies you come up?
DS: I’m always there to have input but as far as not having a guitar, it doesn’t affect me personally. I think they really enjoy playing the bass together so they have a lot of fun when they write those riffs and they’re always harmonizing with each other.
 
Corduroy Soul: Do you write the lyrics your self?
DS: Yeah
 

VV: As far as the lyrics, or concepts of the lyrics, like in ‘Pleasure Seeker’ or ‘Oblivion’ do you have specific goals set in mind? Is there a thematic theme to the album?DS: Not really. Um, I guess most of it is, you know, a lot of venting. So it’s mostly issues that I’m angry about. Well aside from ‘Pleasure Seeker’ that’s the nice, pop song. But yeah, I had a couple of poems that I had written when I was angry and when I was trying to get stuff out. I looked at those when we first started and took little pieces out that I liked and yeah. I had never really written much before so it was definitely a new experience.

 VV: You used to play in Vial? Did you write for them too or is this your first lyrical role?
DS: Crista did all the lyrics in Vial. I just did the bass lines but yeah, it was really collaborative.

VV: You never thought about doing a triple bass band then?
DS: Maybe for the next record. It couldn’t hurt.

VV: How long did it take for this record to come about?
DS: Well when we went to record we maybe had eight songs written. At the time, we had in mind to just do a 7 inch and the recording was so easy that we decided to record them all. So we decided to write two more songs and they wrote them that same day and I wrote lyrics that next morning. That was in February.

CS: Where was it recorded?
DS: At our home studio. It was very chill.

VV: So, people say being in a band is sort of like being in a relationship and obviously Emmett and Ty get along really well together and you and Ty are married, does that affect how you write with each other?
DS: Um, I mean honestly with these guys, it’s easy. I’ve been with Ty for 10 years and I’ve known Emmett for probably five and we’re really close friends so there’s not really much talking at all. It kind of just happens. It’s really nice. When you really know each other, you don’t have to say much.

VV: As far as touring now, will you guys do a full tour or do you guys prefer to do less shows? Maybe with bands, you appreciate like the shows with The Scientists?
DS: Absolutely. If we ever get an offer to play with The Scientist again, fuck yeah. We’re always down to play shows with bands that we love. We probably won’t do a whole lot of touring just because Ty and Emett are touring a lot and I have a day job so we’re going to try to do what we can. We did these four shows for the record release and we’re hoping to get over to the East Coast probably in March.

VV: Do Ty or Emmet ever get tempted to play drums in the band?
DS: I think everyone is content with what it is for now. But I feel like we’re all the kind of people that constantly change and evolve. I’m sure the next record will different.

CS: That’s the cool thing about not setting anything in stone, right? Having the ability to be fluid in what you create and how you create it. I think, from what I’ve heard tonight, that you guys really just play off the fluidity of what things are in the now and not setting anything in stone about how you’ll be in general.
DS: Yes, absolutely. I think that’s why this band works so well. Everyone is just really open to seeing what happens. You know, there are no rules and there is no construct specific to follow.

VV: So the times I’ve seen The C.I.A. play before you seem to have always changed wigs.
DS: A new wig every time, thank you very much.

VV: Is it every time?
DS: So far! I have some shelves in my office and they’re filling up. I love wig shopping.

VV: Do you wear them with any specific goal in mind?
DS: Um, I just want to buy more of them. I love drag and I thought that this is the perfect thing. I can change my wig every night. So I’m building my collection slowly.

VV: Yeah, it’s kind of like when buying effects pedals, right?
DS: yeah for me it’s wigs.

VV: As far as merch goes, your merch is pretty simple. Not a lot t-shirt designs.
DS: No, we thought about it and I played around with some stuff but we didn’t really find anything that we thought was great. So, we stayed with stickers, pins and kept it really simple.

VV: Same with the concept of the album cover. The black and white photography, very minimal.
DS: yeah

VV: Talk about the rest of the tour.
DS: We’ll be at the resident tomorrow, the 8th we’ll be at The Dildo Factory and the 9th we’ll be in San Francisco at El Rio.

VV: Any plugs? Places you’ll hit up on tour? Final words?
DS: Come to the shows, please. Gosh, I don’t know… Saigon Sandwich in San Francisco has my favorite Banh Mi. So if you go to the show, go there first and get a sandwich!

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